Bundy escribió:
En uno de los países con la peor crítica cinematográfica del mundo junto a España. ¿O no te acuerdas de las idas de olla con Wonder Woman?
Lo cual no quita que tenga pensado ir a verla.
No se, normalmente las criticas son de medios anglosajones, que al fin y al cabo son quienes crean esta industria. No es el referente definitivo, pero me parece infinitamente mas valido que FA o cualquier otra pagina en la que puede votar cualquiera.
Y Wonder Woman tiene un 76, una puntuacion de peli que esta bien sin ser nada del otro jueves. Y siendo infinitamente menos arriesgada que Dunkirk.
Si hablamos de la critica, la estan poniendo basicamente de obra maestra.
VarietyOn one hand, he has delivered all the spectacle of a big-screen tentpole, ratcheting up both the tension and heroism through his intricate and occasionally overwhelming sound design, which blends a nearly omnipresent ticking stopwatch with Hans Zimmer’s bombastic score — not so much music as atmospheric noise, so bassy you can feel it rattling your vertebrae. But at the same time, he’s found a way to harness that technique in service of a kind of heightened reality, one that feels more immersive and immediate than whatever concerns we check at the door when entering the cinema. This is what audiences want from a Nolan movie, of course, as a master of the fantastic leaves his mark on historical events for the first time.
Hollywood ReporterDunkirk is an impressionist masterpiece. These are not the first words you expect to see applied to a giant-budgeted summer entertainment made by one of the industry's most dependably commercial big-name directors. But this is a war film like few others, one that may employ a large and expensive canvas but that conveys the whole through isolated, brilliantly realized, often private moments more than via sheer spectacle, although that is here too.
The TelegraphChristopher Nolan’s astonishing new film...is a work of heart-hammering intensity and grandeur that demands to be seen on the best and biggest screen within reach. But its spectacle doesn’t stop at the recreations of Second World War combat. Like all great war films, it’s every bit as transfixing up close.
Daily Mirror 5/5This is Nolan's finest film to date, an immersive and emotional masterpiece and a superb return to form.
San Francisco ChronicleIt’s one of the best war films ever made, distinct in its look, in its approach and in the effect it has on viewers. There are movies — they are rare — that lift you out of your present circumstances and immerse you so fully in another experience that you watch in a state of jaw-dropped awe. Dunkirk is that kind of movie.
Paste MagazineIt takes everything Nolan does well and everything he doesn’t, everything he fights against and everything he embraces, everything great and terrible about him, and streamlines it, focuses it, until it’s pure Nolan, straight into your veins. It’s the most Christopher Nolan film imaginable. It also might just be his best one. Read full review
New York Daily News 4.5/5Let other directors play with toy soldiers and computer effects. This is big-time, old-school filmmaking. Dunkirk isn't overdone. It's simply done epically.
SlateEven Christopher Nolan Skeptics Will Be Wowed by Dunkirk
Entertainment WeeklyThis is visceral, big-budget filmmaking that can be called Art. It’s also, hands down, the best motion picture of the year so far.
Los Angeles TimesThe surpassing accomplishment of Dunkirk is to make us feel an almost literal fusion with its story. It's not so much that we've seen a splendid movie, though we have, but as if we've been taken inside a historic event, become wholly immersed in something real and alive.
